https://www.estefaniapvdesign.com/spring-summer-collection daily 0.75 2015-10-23 https://images.squarespace-cdn.com/content/v1/560c458be4b0af26f729d191/1444752190158-8EQWI3L2T6GUL5T5DSVQ/lauren-winter-20150715-IMG_0636-v1-FINAL-v2.jpg Spring Summer Collection - Lounge Jumpsuit https://www.estefaniapvdesign.com/fall-collection daily 0.75 2016-03-04 https://images.squarespace-cdn.com/content/v1/560c458be4b0af26f729d191/1457105260091-C9DRJYFZ3GFTGMNQL99V/cuero-and-mor-editorial-Lookbook+2-FINAL.jpg Fall Collection - Tan Tote https://www.estefaniapvdesign.com/projects daily 0.75 2023-08-13 https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/1616464391505-0EARFK3J1Q0JWXKD677O/89123801_3019950364715650_368657053268312064_o.jpeg Scenic Art - Roméo et Juliette Capitol City Opera, at the Conant Performing Arts Center. Spring 2020. Gounod’s five-act opera, based upon the play by William Shakespeare, set in 14th century Verona. Directed by Michael Nutter Music direction by Catherine Giel Chamber orchestra conducted by Michael Giel Set Design by Christopher Black Charge Artist: Estefania Perez-Vera Photo by Annalise Kaylor https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/1691707981909-FNW5LUVK5ORPG3L96DK2/OUAM+by+GHENRY-122.jpg Scenic Art - Once Upon a Mattress Virginia Tech, Spring 2023. Directed by Ariana Wyatt & Cara Rawlings Scenic Design by John Ambrosone Lighting Design by Gabrielle Henry Costume Design by Tyler M. Holland Sound Design by Allen Sanders Charge Artist: Estefania Perez-Vera Photo by Gabrielle Henry https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/1691705649816-SG4GXILGS74KT8KY0EOZ/TRW0-35.jpg Scenic Art - This Random World Virginia Tech, Fall 2022. Directed by Amanda Nelson Scenic Design by John Ambrosone Lighting Design by Gabrielle Henry Costume Design by Tyler M. Holland Sound Design by Jacob Lee Charge Artist: Estefania Perez-Vera Photo by Gabrielle Henry https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/1592254254534-FQGDJTA1KMCYSHR4WAM2/84712053_10162885753750084_4683421919414845440_o.jpg Scenic Art - Camelot Atlanta Lyric Theatre, Spring 2020. Scenic design by Lee Shiver-Cerone Directed by Mira Hirsch Charge Artist: Gabby Trice Assistant Scenic Artist: Estefania Perez-Vera Technical director: Diana Lynch Photo owned by Atlanta Lyric Theatre https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/1557196600562-0AKBBKFP6UIVD01HXC94/DSC_0937.JPG Scenic Art - Body, Full of Time A new performance work by Scotty Hardwig and Zach Duer. Artistic Direction & Performance: Scotty Hardwig Visual Direction: Zach Duer Music: Caleb Flood Stage Design & Scenic Art: Estefania Perez-Vera Animations: Nate King Photo by Nate King https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/1557196809259-O9U759P52MWQR4Y1RFB2/IMG_2604.jpeg Scenic Art - As You Like It Directed by Natasha Staley Charge Artist: Diksha Pilania Assistant Scenic Artists: Estefania Perez-Vera & Yvonne Chang https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/1557204804341-JLPRT5BB93H2MLWYGXYA/the_foreigner_2019_edmee_rodriguez02.jpg Scenic Art - The Foreigner Studio Theatre at Virginia Tech, Spring 2019. Directed by Susanna Rinehart Scenic Design by Diksha Pilania Lighting Design by John Ambrosone Properties Design by Cheyenne Clevenger Charge Artist: Estefania Perez-Vera Assistant Scenic Artists: Diksha Pilania & Yvonne Chang Photo by Edmee Rodriguez https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/1525725351545-54V2G32YYCYQB6NTT311/IMG_2728.JPG Scenic Art - The Importance of Being Earnest Ann & Ellen Fife Theatre, Virginia Tech’s Moss Art Center, Spring 2018. A play by Oscar Wilde Directed by Patricia Raun Scenic Design by Stefnie Cerny Lighting Design by Dylan Bomgardner Costume Design by Laura Vitale Charge Artist: Rhi Sanders Assistant Scenic Artist: Estefania Perez-Vera Photo by Joseph Fry. https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/1520231184174-00WQBUJ9QXWHAZGEP459/Fun+Home-383.jpg Scenic Art - Fun Home Studio Theatre at Virginia Tech, Spring 2018. The floor treatment- a 15'x15' section of parquet, in the middle of a 3" plank wood flooring, vignetted to black on the edges- was a major element in creating the interior of the Victorian restoration house in Maple Ave., where Alison Bechdel's father, Bruce "lived his life inside..." Directed by Susanna Rinehart. Scenic Design & Assistant Scenic Artist: Estefania Perez-Vera Lighting Design by Dylan Bomgardner Costume Design by Mary Rathell Properties Design by Felysia Havens-Furnary Charge Artist: Rhi Sanders Photo by Dylan Bomgardner https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/1517381644051-WY8PC16593U9639CQWED/DSC00517+%281%29.JPG Scenic Art - Nosferatu, A Vampire Tale for Our Times Studio Theatre at Virginia Tech, Fall 2017. A penthouse in New York City. Faux leather walls. The latest in interior design. A young, married couple. What could possibly go wrong with people who have it all? The materiality chosen for the set, from the leather in the walls, to every single piece of furniture on stage supported the concept behind this adaptation of Ping Chong's original play: slick surfaces hide rot. Written and Directed by Ping Chong Scenic Design by Randy Ward Associate Scenic Designer & Scenic Artist: Estefania Perez-Vera Lighting Design by John Ambrosone Costume Design by Alison Owen Properties Design by Lauren Chilton Charge Artist: Stefnie Cerny Photo by Allison Owen https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/1517381941745-I23PLPO4N6YX6RGYW3EO/distracted_2017_edmee_rodriguez_25.jpg Scenic Art - Distracted Haymarket Theatre at Virginia Tech, Fall 2017. An energetic, different kid. Is he ADD? Or is he just a normal kid being a kid? With both parents pulling at different ends of the rope, the question of what means to be normal in today's society is addressed at different stages of the play. An emotional and psychologically chaotic journey. Directed by Susanna Rinehart Scenic Design by Rhi Sanders Lighting Design by John Ambrosone Costume Design by Mary Rathell Properties Design by Felysia Havens Charge Artist: Stefnie Cerny Assistant Scenic Artist: Estefania Perez-Vera Photo by Edmee Rodriguez https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/1517381263478-JGGNU8HOJRPAFU4F5CSC/IMG_4758.jpg Scenic Art - Glengarry Glen Ross Studio Theatre at Virginia Tech, Spring 2017. Always be closing!- Blake, Glengarry Glen Ross (1992 film). David Mamet’s two-act, Pulitzer Prize-winner play. The first act happening inside The Red Dragon, a Chinese restaurant. From the booths to the mahogany wood, the mural of the Dragon on the wall, and the lanterns hanging off the ceiling, the concept of red makes a statement, against its later counterpart in act two: the grey Real Estate agency. Directed by Bob McGrath Scenic Design by Rhi Sanders Lighting Design by Dylan Bomgardner Costume Design by Mary Rathell Properties Design by Lauren Chilton Charge Artist: Stefnie Cerny Assistant Scenic Artist: Estefania Perez-Vera https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/1517381062347-N5T06GKBX9MQJ1BPC5PH/IMG_6877.JPG Scenic Art - The Divine: A Play For Sarah Bernhardt Studio Theatre at Virginia Tech, Fall 2016. Three locations. Three pilar institutions of Québec City in 1905. Three overwhelming powers about to clash. Designed to capture the supremacy of the Church, the grandeur of the Theatre, and the systemic oppression inside a Shoe Factory. The concept behind the grey palette chosen for every element on stage (set, costumes, lighting), was to visually take the audience back, or actually into a Paul Nadar photograph, like the ones he took of Sarah Bernhardt herself. Directed by Ed Herendeen Scenic Design by Randy Ward Lighting Design by John Ambrosone Costume Design by Alison Owen Properties Design by Lauren Chilton Charge Artist: Stefnie Cerny Assistant Scenic Artist: Estefania Perez-Vera Photo by Chris Russo https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/1517383707764-ZLV5ERJ88UN3WYN1MC4I/IMG_4144.jpg Scenic Art - Mr. Marmalade Studio Theatre at Virginia Tech, Spring 2017. A living room in New Jersey. The opening stage direction of the script. The concept: a monotone, old, dirty wallpaper intertwining with 5 year-old Lucy's twisted imagination. Child-like drawings, with an almost ghostly presence, onto a fragmented wall. Her world is that living room, that centric space in her house. A stained, dirty carpet is her playground. Every element of the set -from the walls, to the carpet, to the furniture- had to suggest a badly-kept household. A sad parallel to Lucy's childhood. Directed by Greg Justice Scenic Design by Estefania Perez-Vera Lighting Design by Christian Specht Costume Design by Alison Owen Properties Design by Felysia Havens Charge Artist: Rhi Sanders https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/1518802590392-V7N0TU2X8W3PG1VD0HUP/Clybourne+Park+Act+I+%28Susan+Sanders%29+-+46+of+189.jpg Scenic Art - Clybourne Park Studio Theatre at Virginia Tech, Fall 2016. A two-act play, with a time jump of fifty years in between. The solution from the set design for this transition became the changing of the stair unit during intermission. The stairs of act one, with pristine railing and mahogany wood work, were replaced by a stair in progress: the original wainscoting had been removed, revealing an age mark on the wall; a simpler, half-built railing with clumsy re-styling from the contractor now runs through the side. The China cabinet is gone, too, revealing an unpainted mark. The whole re-decoration process of the house has been done so careless, that instead of a new, modern house, it looks more like the ruins of a falling-apart memory. Directed by Susanna Rinehart Scenic Design by Randy Ward Lighting Design by Dylan Bomgardner Costume Design by Mary Rathell Properties Design by Felysia Havens Charge Artist/Master Electrician: Rhi Sanders Assistant Scenic Artists: Stefnie Cerny & Estefania Perez-Vera Photo by Susan Sanders https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/1691706790826-8KPWRGOGF1TFUSF7TJT5/OED-007.jpg Scenic Art - Oedipus Virginia Tech, Spring 2023. Direction & Scenic Design by David R. Gammons Lighting Design by John Ambrosone Costume Design by Zed Mohr Sound Design by Allen Sanders Technical Director: Daniel Solomon Holland Charge Artist: Estefania Perez-Vera Photo by Gabrielle Henry https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/1691706036210-F3D32X8UYSR3QYDLVXJG/DTN-37+edit.jpg Scenic Art - Describe the Night Virginia Tech, Fall 2022. Written by Rajiv Joseph Directed by Susanna Rinehart Scenic Design by Randy Ward Lighting Design by Daryl Norman Soh Costume Design by Tyler M. Holland Sound Design by Allen Sanders Technical Director: Laura Copenhaver Charge Artist: Estefania Perez-Vera Photo by Gabrielle Henry https://www.estefaniapvdesign.com/set-design daily 1.0 2026-03-26 https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/1517376220041-C2YEIHGLZAKLO1VVOQIQ/OSHIDORI+3.png Set Design - Oshidori A Kwaidan, by Lafcadio Hearn. A ghost tale where a hunter, Sonjo, would have to face the consequences of interfering with spirituality, marital love, and fidelity. Directed by Thomas Murray Photo by Dylan Bomgardner https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/1578551293240-NO43Y7O39IJFI3VHX3II/IMG_2704+2.jpeg Set Design - As You Like It “All the world's a stage, and all the men and women merely players…” - William Shakespeare Directed by Natasha Staley Lighting Design by Yvonne Chang Costume Design by Laura Vitale https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/1578608184889-G39GCRAIKCUK0VAEVS11/Narnia-250.JPG Set Design - Narnia- Serenbe Playhouse Based on The Lion the Witch and the Wardrobe by C.S. Lewis. Book by Jules Tasca - Lyrics by Ted Drachman- Music by Thomas Tierney. Directed by Joel Cody & Jake Guinn Co-scenic designer & Technical Director : Mark Warner Lighting design by Alice Trent. Costume design by Cole Spivia Sound design by Caleb Siler Music Director: Amy Duffy Dramaturg: Hank Kimmel Photo by Lee Garmon https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/1517383095044-3Q4M1ZVQH4P7H7YBGXNC/IMG_3814.jpg Set Design - Mr. Marmalade A child's imagination... gone wrong. A living room in New Jersey. A fragmented wall that becomes the portal through which imaginary friend's come into this 4 year-old girl's small, neglected world. An old wallpaper, covered in not-so innocent drawings; reflections of a young mind exposed too early to very mature contents. Directed by Greg Justice Dramaturgy by Karl Precoda Stage Management by Jamie Lindsay Lighting design by Christian Specht Costume design by Alison Owen Props design by Felysia Havens-Furnary Scenic charge by Rhi Sanders Scenic art by Stefnie Cerny & Estefania Perez-Vera (self) Studio Theatre at Virginia Tech, Spring 2017. https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/1517378939494-KR65ELUD35BWGT7B37ZV/nosferatu_2017_edmee_rodriguez_26.jpg Set Design - Nosferatu: A Vampire Tale for Our Times Associate set designer with Randy Ward. Studio Theatre at Virginia Tech, Fall 2017. Slick surfaces hide rot - Ping Chong said to us, describing the core idea behind this incarnation of his original piece Nosferatu: A Vampire Tale for Our Times. Randy immediately understood it, and translated it into what the world for this play needed to be. His design idea involved a unit set that would be able to show those slick surfaces and then expose what they truly hid, with one shocking reveal. In a close collaboration, we worked the specifics and the mechanics of the set, as well as its aesthetic values. Additionally, I was commissioned with the projection's design, which had to work as an extension of the set itself. Written and directed by Ping Chong, inspired by F.W. Murnau’s silent film “Nosferatu: A Symphony of Horror” Stage Management by Kate Handzlik Lighting design by John Ambrosone Costume design by Alison Owen Props design by Lauren Chilton Assistant projections designer: Claire Jessie Technical direction by Chris Russo Sound design by Joe Court Scenic Art by Stefnie Cerny Photo by Alison Owen https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/1518239169351-ANHBJ39ISMHMNTOYA73E/NO+EXIT-+3D+model2-.jpg Set Design - No Exit Associate set designer with Randy Ward. Haymarket Theatre, Virginia Tech 2017.* A modern incarnation of the 1944 existentialist French play, by Jean-Paul Sartre. Directed by Bob McGrath. *Cancelled show https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/1520231051206-PHOZ9KPJ30F8DPM0X0YH/Fun+Home-372.jpg Set Design - Fun Home *Theatrical Design Excellence Award in Scenic Design The Kennedy Center American College Theatre Festival- Region Two Festival 51, Montclair State University 2019.* A musical, adapted by Lisa Kron and Jeanine Tesori, from Alison Bechdel's graphic novel of the same name. Studio Theatre, Virginia Tech, Spring 2018. A memory play where Alison Bechdel, now a cartoon artist in her forties, goes back into key moments of her life, to try to understand and come to terms with her father. A story of self-discovery, identity, and family. Directed by Susanna Rinehart Music Director: Bryson Baumgartel Stage Management by Allison Hopfer Lighting Design by Dylan Bomgardner Costume Design by Mary Rathell Props design by Felysia Havens-Furnary Technical Direction by Chris Russo Master Electrician: Joe Fry Choreographed by J. Clayton Winters Charge Artist: Rhi Sanders Scenic Art by Stefnie Cerny & myself. Actors on stage: Caroline Silas, Kirstin Wolf, Kevin Foster, Catherine McMullan, Henry Fox Mason, Jackson Tindall, Amanda Christian and the child actors Sylvia Macnab, Kylan & Beckett Socha. "A family tragicomic"- Alison Bechdel. Photo by Dylan Bomgardner https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/1774549853819-38RBNVBJYDUMLTB64LO7/IMG_9620.jpg Set Design - Stories of Migration: An Art Performance Written and directed by Brazilian artist Aline de Souza, Stories of Migration is a multimedia art performance with electronic music, harp, dance and visual art. In the words of Aline, “It tells stories of migration from people who shared their experiences, memories and feelings of (un)belonging.” Performed at Virginia Tech’s The Cube on March 4th and 5th, 2025, through an ICAT mini grant. Music by Brandon Hale Dance choreography and performance by Chynna Golding Projections and Harp performance by Aline de Souza Stage Design by Estefania Perez-Vera https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/1774567135623-SEG8HR6WBMX6YWJPI2SC/3536e5a2-2203-4400-9fef-80812155efd1.jpeg Set Design - The Anthropocene: The Time is NOW A work of devised and scripted theatre in partnership with Climate Change Theatre Action (CCTA). Performed at Virginia Tech’s Theatre 101 on November 8th and 9th, 2025. Directed by Nicole Bennett-Tuel Lighting Design and Projections by Daryl Norman Soh Scenic Design by Estefania Perez-Vera “Through storytelling and visual spectacle we will invite audiences to imagine together, a world where we collectively care for our Earth. Theatre has the capacity to build community, ask hard questions, and inspire action. We are interested in exploring how contrasting aesthetics impact audience response and motivation to act.” https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/1557195552918-XFRUYL2AWIPE982REX59/DSC_1005.JPG Set Design - Body, Full of Time- Sets, costumes & lighting design A linked choreography between coded animations and the live, performing body. A form of hybridity: a new kind of human body that is interwoven with the mechanical and the digital, [which would result in] the interactivity between the body and the projections… In essence, it is about envisioning this chimeric relationship between body and technology. Artistic Direction & Performance: Scotty Hardwig Visual Direction: Zach Duer Music: Caleb Flood Animations: Nate King Photo by Nate King https://www.estefaniapvdesign.com/projections-design daily 0.75 2021-04-09 https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/1516928442885-MEZ8L6DX4FNSNLS72NV2/Captura+de+pantalla+2017-12-12+a+las+2.03.58+a.m..png Projections Design - Nosferatu: A Vampire Tale for Our Times Assistant projections designer: Claire Jessie For this incarnation of Ping Chong’s Nosferatu, projections ran with no blackouts on the screen in between scenes for the entire show, becoming an extension of both the set and the characters on stage. There were four different kinds of projections: - Text slides (inspired by the silent movie genre). - Video loops of moving clouds, night sky, and fireworks. - Slow-mo excerpts from F.W. Murnau's Nosferatu film. - Animations, for the Day of the Death parade. A total of 62 text slides, 4 video loops, 6 excerpts, and more than 50 original cartoons and 60 cutouts where digitally created, edited and manipulated, in order to bring to our modern era a tale that, like count Orlok himself, doesn't grow old through time. Cued and ran in Watchout 6. https://www.estefaniapvdesign.com/conceptual-work daily 0.75 2021-12-11 https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/1520713584596-Q70FVE24SSTYLRP62F0S/camara_02.jpg Concept Art - TRESPA® Display Stand Academic project, 2014. It was required to design a temporary display stand for TRESPA®, a renowned paneling brand, in an area of 6 x 10 meters (19'6" x 32'9"), and a maximum height of 6 meters (19'6"). The requirements to fulfill were: - Represent the brand - Promote the brand - Sell the brand The proposal for the design involved the whole stand being made out of TRESPA® panels, in coherence to our three requirements. In a dynamic, visually inviting, and flexible space customers are shown the possibilities the panels allow them to achieve, in every detail of the stand itself. Image modeled in SketchUp Pro, final rendering in 3d Max. 3d Max motor render manipulation by Alicibiades Torres. https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/1527130120550-OK7KQGGSRV4HA38WA4UA/IMG_9450.jpg Concept Art - Fun Home Presentation Model, 1/2” scale. https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/1518799895674-DA6MNLE2W2C4YJ8ZGHWO/IMG_4971.jpg Concept Art - Antigone Concept render for Antigone at Studio Theatre. https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/1616635445407-EZJZLG1HZO7LJRV39MLL/PERSPECTIVE+FULL.jpg Concept Art - MODULE.IN.CLUSTER Participation entry for the 2020 Melbourne Affordable Housing Challenge, by Bee Breeders- International Architecture Competition Organizer. The competition was open to all, regardless of their design discipline and country of origin. Programme -Design a concept for affordable housing within Melbourne, which can be easily rolled out to increase the capacity of housing stock, and is minimal in its use of land and materials. -No minimum size or amount of the residential units per block is defined. The proposals should be flexible enough to adopt in different sizes with different residential capacity requirements. -Designs for the Melbourne Affordable Housing Challenge should be flexible to fit in different locations across the city.* Submission Requirements -Participants were required to upload one A2 landscape-orientated presentation board (must not exceed 5MB per jpg) with sketches, renderings, plans, sections, elevations, diagrams, and/or other presentation tools to explain their proposal.* Recommended content -Concept designs, plans, sections, internal and external perspectives, demonstration of project construction, materiality, functions, management and maintenance; approach to environment, energy and sustainability, indoor environment, and logistics.* *Quoted from the official challenge’s brief, provided by Bee Breeders at https://architecturecompetitions.com/melbournechallenge https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/1517975904659-0ZMKI8PIO3VD66F85FAJ/IMG_4963.jpg Concept Art - Antigone Concept art for the set design. 2017. Soft pastels, charcoal, and technical pen over light Fabriano. https://www.estefaniapvdesign.com/professional-experience daily 0.75 2021-08-02 https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/1578818235047-SV27ONV9UWJGVV4A461Z/06202018_Idomeneo_0195.jpg Summer Job - Idomeneo Opera by Wolfgang Amadeus Mozart. Libretto by Giambattista Varesco. Conductor – Geoffrey McDonald Director – Omer Ben Seadia Scenic Designer – Ryan Howell Costume Designer – Amanda Seymour Lighting Designer – Robert H. Grimes Scenic Charge: Pallas Bane The Barns at Wolf Trap- Summer 2018. Photo belongs to Wolf Trap Opera https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/1578820423579-OO4M89ST42VXR7B4AV8S/Hair-+Photo+by+BreeAnne+Clowdus.jpg Summer Job - Hair- Serenbe Playhouse The American Tribal Love-Rock Musical. Celebrating the 50th anniversary of Woodstock 69’. Directed by Brian Clowdus Scenic design by Josafath Reynoso Lighting design by Kevin Fraizer Costume design by Erik Teague Scenic Charge: Stefnie Cerny Summer 2019. Photo by BreeAnne Clowdus https://www.estefaniapvdesign.com/new-gallery-3 daily 0.75 2026-03-26 https://static1.squarespace.com/static/5a6763568dd0410a5f08ff0d/t/69c485561e30673dc637b5d8/1774486870855/ Stories of Migration https://static1.squarespace.com/static/5a6763568dd0410a5f08ff0d/69c4854175b79c1f4257e5b3/69c48553b0efec4679267260/1774486870855/ Stories of Migration https://www.estefaniapvdesign.com/new-gallery-4 daily 0.75 2026-03-26 https://www.estefaniapvdesign.com/inspiration daily 0.75 2015-10-26 https://images.squarespace-cdn.com/content/v1/560c458be4b0af26f729d191/1444348306709-UKQRJAOH00IQPWENYTLY/image-asset.png Inspiration https://www.estefaniapvdesign.com/ss-16 daily 0.75 2016-03-04 https://images.squarespace-cdn.com/content/v1/560c458be4b0af26f729d191/1457104754497-ZL8HDO76CKFEFCMNLAJP/lauren-winter-20150715-IMG_9299-v1-FINAL-grade.jpg SS 16 https://www.estefaniapvdesign.com/fw-15 daily 0.75 2015-10-29 https://images.squarespace-cdn.com/content/v1/560c458be4b0af26f729d191/1444170488177-EURCRR9H7WHTMW83HTDV/cuero-and-mor-editorial-Lookbook+1-FINAL.jpg FW 15 https://www.estefaniapvdesign.com/about daily 0.75 2026-03-26 https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/370c0f90-884b-4821-9a63-347ce25aea2d/Headshot+EPV.jpg About To me, designing for the performing arts is one of the most complex types of creation. Every line on paper is a choice with purpose. If you achieve to make a statement through those choices, then you have created art. https://www.estefaniapvdesign.com/read-me daily 0.75 2026-03-26 https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/b9611446-9465-4aaf-a78c-1f3d5ec35120/Captura+de+Pantalla+2026-03-26+a+la%28s%29+19.04.13.png Resume https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/f4bb8a1d-e39a-4170-bacc-1fa5ee906bb1/Captura+de+Pantalla+2026-03-26+a+la%28s%29+19.04.29.png Resume - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/2472aaa3-6963-4375-807f-5adf576e8918/Captura+de+Pantalla+2026-03-26+a+la%28s%29+19.05.10.png Resume - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5a6763568dd0410a5f08ff0d/c2d371c5-ebfe-43f3-be9e-48dcf0a684b3/Captura+de+Pantalla+2026-03-26+a+la%28s%29+19.05.23.png Resume - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.estefaniapvdesign.com/shop daily 0.75 2015-10-20